To declare and be retained as a film studies major, a student must maintain a 2.00 grade point average based on all the courses required for the major. FLM 348 Cinema’s Altered States From the avant-garde to Hollywood blockbusters like The Matrix and Inception, the cinema provides a fertile ground for playing at the edge of narrative, and for testing credibility by constructing alternate logic. FLM 202, 204 Film History II: 1950-Present An exploration of the international history of film from the end of the War through important European developments (the French New Wave, Italian Neo-Realism, and New German Cinema) and dramatic changes in production and viewing in the United States (through the Sixties and Seventies) to recent emergence of national and regional cinemas in countries all over the world. Students will conceptualize, outline, and write a feature-length screenplay, focusing on story structure, character development, conflict, dialogue, and resolution. The cultural encounters depicted include those in colonial Africa, India, and the Americas, as well as post-colonial encounters in new relationship configurations such as migration and tourism. Traces the history of film and video art from the early 1920s to the present focusing on its structural evolution, thematic shifts, coexistence with commercial cinema, and its impact on contemporary media.Meets general academic requirement HU. COM 467 CUE: Advanced Video ProductionStudents explore the convergence of video and digital media while studying the problems of constructing narrative and documentary texts within emerging experimental formats. Muhlenberg College offers bachelor's degrees with an academic focus on a rounded Liberal Arts education as well as pre-professional studies. Projects 1. Students should start conceptualizing their ideas well in advance of the start of the semester. The course provides students an opportunity to explore how to channel ideas into practice by expanding students' established skills (research, writing, scripting, producing, directing, multi-camera and audio strategies, staging and lighting, postproduction). List of Muhlenberg College majors by size and degree. These films contain scenes of very graphic violence and vulgar language. Filmmakers and films we study will be drawn from a list that includes John Cassavetes (Shadows), Martin Scorsese (Mean Streets), Terence Malick (Badlands), Charles Burnett (Killer of Sheep), Jim Jarmusch (Stranger than Paradise), Joyce Chopra (Smooth Talk), John Sayles (Lianna), Whit Stillman (Last Days of Disco), Steven Soderbergh (sex, lies & videotape), Abel Ferrara (Bad Lieutenant ), David Lynch (Blue Velvet), Sadie Benning (It Wasn’t Love), Gus van Sant (My Own Private Idaho), Julian Schnabel (Basquiat), Kimberley Peirce (Boys Don’t Cry), Larry Clarke (Kids), Hal Hartley (Trust), Michael Cuesta (L.I.E. Muhlenberg College aims to develop independent critical thinkers who are intellectually agile, characterized by a zest for reasoned and civil debate, committed to understanding the diversity of the human experience, able to express ideas with clarity and grace, committed to lifelong learning, equipped with ethical and civic values, and prepared for lives of leadership and service. FLM 334 Bollywood: Indian Popular Cinema India’s Bombay/Mumbai-based cinema is one of the world’s few challenges to the influence of American film. Tempelhof-Schöneberg (Rights reserved) Issue 2018 (Rights reserved) Attendance at weekly screenings is required.Meets general academic requirement HU. In addition to screening and exploring some of the best such films produced over the course of 50 years, this course attends closely to the struggle of some of the more successful independent filmmakers (and actors) to maintain their commitment to alternative practices in the face of the seductions of Hollywood, on the one hand, and formal conventions fostered by organizations like the Sundance Film Festival & … Legal and ethical issues involved in media production are considered. Writers will comment on each other’s work in a workshop setting. Films are likely to include Billy Liar, The Loneliness of the Long Distance Runner, Alfie, Tom Jones, The Servant, The Knack and How To Get It, and A Hard Day's Night. In addition to screening and exploring some of the best such films produced over the course of 50 years, this course attends closely to the struggle of some of the more successful independent filmmakers (and actors) to maintain their commitment to alternative practices in the face of the seductions of Hollywood, on the one hand, and formal conventions fostered by organizations like the Sundance Film Festival & Institute on the other. Students will conceptualize, outline, and write a feature-length screenplay, focusing on story structure, character development, conflict, dialogue, and resolution. Attendance at weekly screenings is required.Meets general academic requirement W. FLM 354 Film Noir Dark shadows, low-key lighting, unusual camera angles, flashbacks, a sense of paranoia, and males manipulated by sultry, cigarette-smoking, seductive femme fatales characterize film noir, the only typically American film genre after the Western to emerge from Hollywood. While the filmmakers under consideration vary, the course deals with similar questions each time: the validity of the auteur theory as a way of understanding film, the relationships between filmmakers and their art, and the nature of our ideas about art and artistic production. The Wescoe School of Muhlenberg College features â ¦ The College is located in Allentown, Pennsylvania, approximately 55 miles north of Philadelphia and 90 miles west of New York City. Who We Are. FLM 330 New Asian Cinemas  This course will selectively explore the national cinemas of Japan, China, Taiwan, India, and Korea. ENG 226 Introduction to ScreenwritingExamination of screenwriting fundamentals: story structure (theme and plot), character, dialogue, scene description and development, and script formats. Film studies is also designed to complement other major and minor programs that students might choose to pursue in art, media and communication, English, music, and theatre arts, among others. FLM 387 Art of Video EditingWhile editing was historically seen as merely a nuts-and-bolts technical pursuit, it has increasingly proven indispensable to the artistic process. Open to students at all levels. Created during the 1940s and 50s, many by Jewish émigrés from Central Europe, film noir is usually considered a combination of German Expressionist cinematic style and the American hard-boiled detective story. Attendance at weekly screenings is required.Prerequisite(s): FLM 202, 204 Film History II: 1950-Present and senior film studies major or permission of the instructor.Meets general academic requirement W. FLM 970 Film Studies Independent Study/Research Independent study may be enrolled in any academic department with approval of the advisor and should provide an opportunity to undertake an in-depth examination of some facet of film studies literature and research findings. In order to provide students with a grounding in the film cultures in question, the course will also explore literary works and the commercial, social, and political conditions that inform film production, distribution, and reception. The challenge is to tell a new story using existing characters without changing any of the fundamentals of the show. Assistant Professor:  Bazaz. Film Studies. Muhlenberg College is a private liberal arts college affiliated to the Evangelical Lutheran Church. Reads . FLM 388 Video JournalismAs journalism evolves, more media outlets rely on documentary principles to convey their message: strong, character-driven stories; compelling visuals; dynamic sound-image relationships. In addition,no more than 2 courses from any single department or major (other than FLM) can count toward the film … Writers will comment on each other’s work in a workshop setting. Muhlenberg has an active film culture both on and off-campus. This course also surveys new East Asian cinema – for example, Wong Kar-wai’s In the Mood for Love (Hong Kong/China) Hou Hsiao-hsien’s City of Sadness (China), Edward Yang’s Yi Yi (Taiwan), Im Kwon Taek’s Chunhyang, and Takeshi Kitano’s Fireworks (Japan) – and one or two films from India (Mira Nair’s Salaam Bombay and a selected Bollywood extravaganza.) Cinema is one of the genres explored will be required own reality, spectators and their characters. 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